One act/group can enter different tracks in separate contest categories. Only 1 track can be entered per musical act/group in each category.
You can submit your recordings of sessions that included live online jamming in this contest category.Ĭontest organizers do not matchmake artists as this contest is for creative teams formed externally and using remote music collaboration technologies of their choice. This process is synchronous (real or near real-time).
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+ Online Live Jamming is a process where collaborating musicians play live over the Internet with the use of software that enables online live jamming. This collaborative process can be either synchronous (real-time) or asynchronous (non-real time).
These tools can include dedicated online music collaboration platforms as well as online exchanges of audio/midi files. + Online Studio Collaboration is a process where some or all elements of communication, recording, editing and mixing are executed with online tools. Tracks must be submitted into one of the contest categories: Online Studio Collaboration or Online Live Jamming: These responses could be presented either via music and/or lyrics and artists are encouraged to interpret the theme in various creative ways. + Organizer Website: Contest Rules/Please read:Īll submitted tracks must be created during online collaboration between at least 2 music makers and respond to this year's contest theme of 'new meets old'. + Entries are now open and will close on 20 November 2022 Here are some important informations from the organizer:
Let's show the world who has the best collaborators. Not only that of the 14 nominees four teams consisted of users of our beloved platform but with Icebox, Siren and dcln the racing team Audiotool also provided the winner of the competition. The facility is nearing completion (18 months construction time) and experiments are expected to begin early in 1979.Collaborative Music Contest is calling for music that demonstrates the spirit and potential of online music collaborationĪbout a year ago, the School Of Music Collaboration initiated a contest and the Audiotool community could demonstrate their talents. The solenoid field will be variable up to about 4 kG and the length is 5 meters. Expected parameters are n tau approximately 10/sup 11/ cm/sup -3/ sec at ion energies of 20 keV in the end plugs and n tau approximately 1 to 3 x 10/sup 11/ cm/sup -3/ sec in the solenoid at ion temperatures up to 2 keV if auxiliary beam heating is applied to the solenoid. The end cells will be similar in size and injected power to 2XIIB, but some injectors will operate at 40 kV. The TMX will test these main features of the tandem mirror idea and will also investigate optimum means of suppressing loss cone instabilities in the end cells based on methods demonstrated in the 2XIIB experiment. The usual positive ambipolar potential that automatically develops in each mirror cell serves as an electrostatic barrier that confines ions in the solenoid for many collision times, and the more » very stable plasmas in these end cells ''anchor'' each flux tube, thereby assuring MHD stability of the system up to betas of order unity in the solenoid. High density plasmas are maintained in each of the mirror end cells by neutral injection at high energies (up to 1 MeV in a high Q reactor). In this concept the fusion plasma is confined in a long solenoid terminated at each end by mirror machines of the magnetic-well type. The Tandem Mirror Experiment (TMX) is being built at Livermore to test the principles of the new tandem mirror reactor concept.
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